2,886
edits
Dhul-Qarnayn and the Alexander Romance: Difference between revisions
m
no edit summary
| [checked revision] | [checked revision] |
Lightyears (talk | contribs) |
Lightyears (talk | contribs) mNo edit summary |
||
| (One intermediate revision by the same user not shown) | |||
| Line 25: | Line 25: | ||
In addition to the Dhu'l Qarnayn episode and its relationship with the Syriac Alexander legend, the story about Moses earlier in Surah al Kahf has long been noticed to derive from another story in the Alexander Romance tradition about Alexander's quest to find the water imparting immortality, featuring his cook, a dead fish that springs back to life from this water and escapes, and an attempt by Alexander to return to the water. In {{Quran-range|18|60|65}}, Moses travels to the junction of the two seas with his servant, who later realises that they have left their fish behind there, which has come back to life and swam away through a passage. When his servant later tells him this, Moses declares that this was the place they had been seeking. As Tommaso Tesei notes, "The most ancient versions of this story are found in three sources preceding or contemporaneous to the rise of Islam: the Rec. β of the Alexander Romance (fourth/fifth century), the Babylonian Talmud (Tamīd, 32a–32b), and the so-called Syriac Alexander Song (ca. 630–635)".<ref>Tommaso Tesei (2015) [https://www.academia.edu/12761000/ Some Cosmological Notions from Late Antiquity in Q 18:60–65: The Quran in Light of Its Cultural Context] Journal of the American Oriental Society 135.1</ref> | In addition to the Dhu'l Qarnayn episode and its relationship with the Syriac Alexander legend, the story about Moses earlier in Surah al Kahf has long been noticed to derive from another story in the Alexander Romance tradition about Alexander's quest to find the water imparting immortality, featuring his cook, a dead fish that springs back to life from this water and escapes, and an attempt by Alexander to return to the water. In {{Quran-range|18|60|65}}, Moses travels to the junction of the two seas with his servant, who later realises that they have left their fish behind there, which has come back to life and swam away through a passage. When his servant later tells him this, Moses declares that this was the place they had been seeking. As Tommaso Tesei notes, "The most ancient versions of this story are found in three sources preceding or contemporaneous to the rise of Islam: the Rec. β of the Alexander Romance (fourth/fifth century), the Babylonian Talmud (Tamīd, 32a–32b), and the so-called Syriac Alexander Song (ca. 630–635)".<ref>Tommaso Tesei (2015) [https://www.academia.edu/12761000/ Some Cosmological Notions from Late Antiquity in Q 18:60–65: The Quran in Light of Its Cultural Context] Journal of the American Oriental Society 135.1</ref> | ||
This Syriac Alexander Song (also known as the memre, poem, or metrical homily about Alexander) in addition narrates Alexander's enclosure of Gog and Magog taken from the Syriac Alexander Legend. It is probably significant that both the water of life and Gog and Magog episodes are found in the Alexander Song and in surah al-Kahf, suggesting that they were present together also in an earlier common source. | This Syriac Alexander Song (also known as the memre, poem, or metrical homily about Alexander) in addition narrates Alexander's enclosure of Gog and Magog taken from the Syriac Alexander Legend. It is probably significant that both the water of life and Gog and Magog episodes are found in the Alexander Song and in surah al-Kahf, suggesting that they were present together also in an earlier common or intermediate source. Tesei, and similarly Muriel Debie, has since suggested that the Song could be as early as the last quarter of the 6th century, which has become possible following the redating of the Syriac Alexander Legend on which it is based (see Dating sections below).<ref>Tommaso Tesei 2024, p. 22</ref> | ||
Gabriel Said Reynolds observes that the junction of the two seas to which Moses seeks to travel in Surah al-Kahf, as well as other passages that mention the two seas, most likely refer to the waters of the heavens and of the earth, and that "the two seas" is referred to with this meaning in other Syriac works. He provides a translation of the relevant sections from the Alexander Song: | Gabriel Said Reynolds observes that the junction of the two seas to which Moses seeks to travel in Surah al-Kahf, as well as other passages that mention the two seas, most likely refer to the waters of the heavens and of the earth, and that "the two seas" is referred to with this meaning in other Syriac works. He provides a translation of the relevant sections from the Alexander Song: | ||
| Line 347: | Line 347: | ||
====Two Horns==== | ====Two Horns==== | ||
[[File:Cyrus_stele_in_Pasagardae.jpg|right|thumb|200px|Stele in Pasagardae, which some | [[File:Cyrus_stele_in_Pasagardae.jpg|right|thumb|200px|Stele in Pasagardae, which some earlier scholars interpreted as Cyrus, though it is now regarded as a winged tutelary diety.]] | ||
In order to connect Cyrus to the epithet Dhul-Qarnayn (i.e. man with two-horns), proponents of this theory have pointed to a relief found on a doorway pillar near the tomb of Cyrus in Pasargadae, Iran. | In order to connect Cyrus to the epithet Dhul-Qarnayn (i.e. man with two-horns), proponents of this theory have pointed to a relief found on a doorway pillar near the tomb of Cyrus in Pasargadae, Iran. In these depictions, a set of horns can be seen as part of an Egyptian [[w:Hemhem crown|Hemhem]] head dress worn by a winged figure. Some earlier scholars believed this to be a depiction of Cyrus, whose name was once inscribed at the top of the monument above the pillar.<ref>{{cite journal |last1=Mallowan |first1=Max |last2= |first2= |date=1972 |title=“Cyrus the Great (558-529 B.C.). |url=https://www.jstor.org/stable/4300460 |journal=Iran |volume= |issue=10 |pages=1-17 |doi=10.2307/4300460 |access-date=8 March 2021}}</ref> It is now regarded as a protective doorway figure, inspired by Assyrian winged genii. It has been established that the incription was added later by Darius, and that the same inscription appeared in at least four other places in the complex (on two support pillars and on both sides of a portico). The complex also once included human-headed winged bulls with crowns.<ref>{{Cite book |last=Sekunda |first=Nicholas |contribution=Changes in Achaemenid Royal Dress |title=The World of Achaemenid Persia. History, Art and Society in Iran and the Ancient Near East |editor-last1=Curtis |editor-first1=John |editor-last2=Simpson |editor-first2=St John |publisher=I. B. Taurus |year=2010 |url=https://www.google.co.uk/books/edition/The_World_of_Achaemenid_Persia/DmGJDwAAQBAJ?gbpv=1 |isbn=9781848853461}}</ref><ref>{{cite web |url=http://www.iranicaonline.org/articles/pasargadae |title=PASARGADAE |last=Stronach |first=David |date=2009 |website=Encyclopædia Iranica, online edition |publisher=Encyclopædia Iranica |access-date=8 March 2021}}</ref><ref>{{cite web |url=https://iranicaonline.org/articles/herzfeld-ernst-ii |title=HERZFELD, ERNST ii. HERZFELD AND PASARGADAE |last=Stronach |first=David |date=2003 |website=Encyclopædia Iranica, online edition |publisher=Encyclopædia Iranica |access-date=8 March 2021}}</ref> We have no other physical engravings or any other archaeological evidence that connects Cyrus with the epithet "two horns". | ||
====Religious practices of Cyrus==== | ====Religious practices of Cyrus==== | ||